Morale is High (Since We Gave Up Hope)

This latest innovation from Powder Keg is a fuck off, head banging, dark, celebratory gig/show/fortune telling/revolution. That’s a lot of words. You need them to try and encapsulate the joy and anger everyone in that room (I think) felt. We’re going to be okay. We aren’t okay yet, but we will be.

Ross has woken up in the future and he’s here to tell Jake, and us, everything. He’s got a futuristic silver sparkly jacket from Primark and he looks super cool. He tells us tomorrow’s headline (and he’s right about it – go on, look it up). He tells us about his local pub, about coming back home.

Ross and Jake are our guides for the evening, leading us through Manchester from today, to tomorrow, to 2020 where none of the things we want to have happened have actually happened but there’s a sense that’s they could, and maybe we’re alright. The frustration that comes with not being listened to, being interrupted, being given £50 for the train fare by Michael Gove after you wake up in his house when it’s actually £75, is articulated pretty well in PK’s show. There’s a tug between collective resistance and hopelessness (despite what the title might suggest). The protest in 2020 is going really well (says Jake), except it’s not (says Ross).

It’s really really hard to make a coherent, well formed, funny, sincere show about politics without making people shy away. Powder Keg manage to help us escape and bring us to action. They join us together in jeers and laughter, help us share in our anger at jobs disappearing, at benefit cuts, at gentrification.

See this show for many reasons, but also see it for the music: the super catchy, spangled banner, rock heavy anthems that you want to scream along to. On the last night I want to have a dance party on the stage, holding our middle fingers and placards to the elite, and hugging tightly as we scream and laugh our way into the apocalypse, or maybe just into a pub in the year 2020.

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