Has Sia Gone Too Far?

Sia’s Elastic Heart music video is the latest controversy to hit the music world. Recieving over 5 million views in the first 24 hours, this latest single is classy pop magic, filled with head flicks, passion and electronic key changes. Classic Sia. The music video features Maddie Ziegler, the same extraordinary girl from Chandelier. However, it also has a guest appearance from Shia LaBeouf. Both are clad in nude coloured skin tight leotards and dance around a large cage, similarly to the aforementioned Chandelier. People saw this and they immediately assumed a promotion of pedophilia.

In my opinion, Sia, a world renowned and critically acclaimed pop queen, would not intentionally promote anything of this nature. Her new hidden identity has allowed her to express herself in her music in a far better, and far freer way. You can practically hear her heart pounding out of her chest in every beat, and she clearly carries out her work with the up most passion and conviction, and in turn I would imagine she expects some respect, as an artist if not as a person. As for this music video, it is not about a relationship, not a sexual one anyway. Sia predicted, wisely as always, that there would be a backlash towards the video. She hasn’t been controversial for the sake of controversy, she has employed two extremely talented individuals to express her music. There’s a number of people who have interpreted this video as a presentation of Sia’s relationship with her father, which is valid from an artistic perspective, but she has stated specifically that it is not about her father, and these interpretations do somewhat perpetuate the abuse element of the piece.

The video is about Sia. It is about her mentality and ‘two warring Sia states’. Whether it is a present and past Sia, a disturbed and sane Sia, or an uncontrollable and stable Sia we may never know, she may never reveal this to us, but what she has told should be respected. I just can’t help but feel a little disappointed in these comments. From watching the video you can see that this beautiful piece of dance, theatre, art has a deep rooted emotional centre and the elegant, modern choreography pushes all the right boundaries. Judging this video as sexual and abusive is crude and is a discredit to Sia, Maddie and Shia. They have all worked incredibly hard on this, especially Maddie, a girl of only twelve and the flawless accuracy and passion which seeps through the screen is what people should pay attention to. If you see this video as supporting pedophilia then you need to check yourself and realise that it’s probably you that needs to reassert their view of music, people and society, not Sia.

January Blues

  1. fracture – bombay bicycle club
  2. sophia – laura marling
  3. is there somebody who can watch over you – the 1975
  4. re stacks – bon iver
  5. glass in the park – alex turner
  6. i think ur a contra – vampire weekend
  7. eyes off you – bombay bicycle club
  8. cigarette daydreams – cage the elephant
  9. its cool, we can still be friends – bright eyes
  10. broad ripple is burning – margot and the nuclear so and so’s
  11. aren’t you someone’s something – frankie cosmos
  12. rapt – karen o
  13. papa hobo – ezra koenig cover
  14. mad sounds/family friend cover
  15. hand made – alt j
  16. songbird – eva cassidy

My Top Albums of 2014

This is All Yours – Alt J

Alt J’s eagerly awaited second album ‘This Is All Yours’ dropped in late September, followed by a national tour and worldwide appearances. The progression from their last album is clear to see, but for me, the singles shone brightest. Hunger of the Pine, Left Hand Free, and my personal favourite, Every Other Freckle are perfectly paced, atmospheric tracks and are a credit to the band. However this is not to dismiss the other tracks. Beautifully delicate melodies, such as in Garden of England and Bloodflood II sparkle wonderfully and the charming duet in Warm Foothills add to the ambiance of the album. ‘This Is All Yours’ should be listened to as one piece of music. The electronic tones melt into each other and the gentle ebb and flow of vocals washes over you. It’s all part of Alt-J’s genius musical talent, and their ability to entice and submerge a listener into their dreamlike, slow motion lives.

Favourite Tracks:

  • Every Other Freckle
  • Bloodflood II
  • Hunger of the Pine

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Wanted on Voyage – George Ezra

Injected with life and spontaneity, Ezra’s debut crackles with a folk pop style which addicts even the most cynical of critics. Influenced by his travels and idols like Ed Sheeran, Tom Odell and Mumford and Sons, ‘Wanted on Voyage’ managed to capture my interest and, somewhat unexpectedly, hold it for a whole year. Ezra exploded in 2014, and what with performing at Glastonbury, bringing out his first album and touring he has managed to stick to his roots and stay down to earth. This humbling LP is joyful and warms the soul.

Favourite Tracks:

  • Blame It On Me
  • Listen to the Man
  • Leaving It Up To You

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St. Vincent – St. Vincent

Quirky lyrics and a bold sound gratify the mind and ears in St. Vincent’s self titled LP. Sweeping an extraordinary number of accolades, nominated for a Grammy and NME awards, and a shower of five star reviews, this LP took over 2014 in a big way. Still seemingly remaining under the radar, Annie Clark’s alternative electronic rock has really made an impact in the critics world and justifiably. She weaves and interconnects synth sounds, harmonies and heavy basslines with the epitome of sophistication and class. In this vein, it seems suitable that she sits on a pink throne on her latest album cover, claiming her place as queen.

Favourite Tracks:

  • Prince Johnny
  • Digital Witness
  • Rattlesnake

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